Above all, do not lose your desire to walk.

30.6.13

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Everyday, I walk myself into a state of well-being & walk away from every illness. I have walked myself into my best thoughts, and I know of no thought so burdensome that one cannot walk away from it. But by sitting still, & the more one sits still, the closer one comes to feeling ill. Thus if one just keeps on walking, everything will be all right.

by Søren Kierkegaard (via)

A feeling like all the surfaces inside you have been rubbed raw

28.6.13

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It starts in the morning as soon as you wake up. You see the sun through the curtains, it’s a beautiful day maybe, it doesn’t matter. You turn over to see if you can sleep some more but it’s already too late for that. The day is upon you. You want to hide, to curl up in a ball, but that’s not what you really want either. After all. It doesn’t stop your mind, does it? It doesn’t stop the ache. It’s not an escape. The whole day in front of you. How will you bear it. You want to escape, but there’s no place you can go where it won’t be with you.

The Dogs of Babel, Carolyn Parkhurst

we all make mistakes, we do

28.6.13

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Please sleep softly
Leave me no room for doubt

the present is forever

26.6.13

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With me, the present is forever, and forever is always shifting, flowing, melting. This second is life. And when it is gone, it is dead. But you can’t start over with each new second, you have to judge by what is dead. It’s like quicksand…hopeless from the start. A story, a picture, can renew sensation a little, but not enough. Nothing is real except the present, and already I feel the weight of centuries smothering me. Some girl a hundred years ago once lived as I do. And she is dead. I am the present, but I know I, too, will pass. The high moment, the burning flash come and are gone, continuous quicksand. And I don’t want to die.


Journals (1950-1955), Sylvia Plath (via)

hope you stay.

20.6.13

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oh I know you can hear me all those million miles away.

hi again, familiar feeling.

18.6.13

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A solidão envolve-o, encerra-o dentro de si mesmo, e com isso vem um terror pior do que tudo o que conhecera até então. Causa-lhe perplexidade mudar tão rapidamente de um estado para outro, e durante muito tempo alterna entre os extremos, não sabendo qual é o verdadeiro e qual é o falso.

Fantasmas, A Trilogia de Nova Iorque, Paul Auster

For women who are tied to the moon, love alone is not enough.

12.6.13

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You rare girl, once again, you have a body that belongs to no lover, to no father, belongs to no one but you. Wear your sorrow like the lines on your palm. Like a shawl to keep you warm at night. Don’t mourn the love that is lost to you now. It is a book of poems whose meters worked their way into your pulse. Even if it has slipped from your hands, it will stay in your body.
You loved a man who treated you like absinthe, half poison and half god. He tried to sweeten you, to water you down. So you left. And now you have your heart all to yourself again. A heart like a stone cottage. Heart like a lover’s diary. Hope like an ocean.


Anais Nin, numa carta a Clementine von Radics (via)

And despite everything I'm still human

7.6.13

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Underneath the skin there's a human
Buried deep within there's a human
And despite everything I'm still human
But I think I'm dying here

Waking up like an animal
I'm all ready for healing
My mind's lost with nightmares streaming
Waking up (kicking screaming)

Take me out of this place I'm in
Break me out of this shale case I'm in

to begin the day

4.6.13

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You go downstairs and prepare a pot of coffee, the strongest, blackest coffee you have made in years, figuring that if you flood yourself with titanic doses of caffeine, you will be lifted into something that resembles wakefulness, a partial wakefulness, which will allow you to sleepwalk through the rest of the morning and on into the afternoon. You drink the first cup slowly. It is exceedingly hot and must be swallowed in small sips, but then the coffee begins to cool down, and you drink the second cup more rapidly than the first, the third more rapidly than the second, and swallow by swallow the liquid splashes into your empty stomach like acid. You can feel the caffeine accelerating your heart rate, agitating your nerves, and beginning to light you up. You are awake now, fully awake and yet still weary, drained but ever more alert, and in your head there is a buzzing that wasn't there before, a low-pitched mechanical sound, a humming, a whining, as if from a distant, out-of-tune radio, and the more you drink, the more you feel your body changing, the less you feel that you are made of flesh and blood. You are turning into something metallic now, a rusty contraption that simulates human life, a thing put together with wires and fuses, vast circuits of wires controlled by random electrical impulses, and now that you have finished the third cup of coffee, you pour yourself another - which turns out to be the last one, the lethal one. The attack begins simultaneously from the inside and the outside, a sudden feeling of pressure from the air around you, as if an invisible force were trying to push you through the chair and knock you to the ground, but at the same time an unearthly lightness in your head, a vertiginous jangle thrumming against the walls of your skull, and all the while the outside continues to press in on you, even as the inside grows empty, ever more dark and empty, as if you are about to pass out. Then your pulse quickens, you can feel your heart trying to burst through your chest, and a moment after that there is no more air in your lungs, you can no longer breathe. That is when the panic overwhelms you, when your body shuts down and you fall to the floor. Lying on your back, you feel the blood stop flowing in your veins, and little by little your limbs turn to cement. That is when you start to howl. You are made of stone now, and as you lie there on the dining room floor, rigid, your mouth open, unable to move or think, you howl in terror as you wait for your body to drown in the deep black waters of death.


Winter Journal, Paul Auster